3.823 file audio bebas royalti untuk "Expositions And Introductions"

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Claude LeJeune, Revoici venir du printemps

Holberg Suite prelude bars 1-2 string version

*Johnston , difference between 5:3 (A) and 53:32 (A) on C = C. Just: 160/159 = 10.85 cents. Limit: 5-limit. MIDI pitch bend: 60,67

*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7

Supermajor sixth on B7b. Created by Hyacinth (talk) 20:20, 19 March 2011 (UTC) using Sibelius 5.

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58

Subminor third on G. 7:6 = 266.87 cents.

Šur Daramad

Šur Forud

Šur Daramad

Šur Forud

Šur Forud

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Rebel, les Elemens, opening

Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.

Šur Forud

Phrase group of three four bar phrases in Mozart's Piano Sonata in F, K. 332, first movement.

Scale of the fingering chart for the tabor pipe.

Pythagorean diminished third on C. 65536 : 59049 180.45 cents.

Šur Daramad

The opening bars of Dido's lament from the opera "Dido and Aeneas" by Henry Purcell.

Just Intonation Major Chord (4:5:6)

Theme by Anton Diabelli

Beethoven, Diabelli Variation No. 13

Battements et son résultant (deux embouchures de flûtes à bec)

Hendrix chord.

06. TRG Banks - Wedding

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

03. TRG Banks - Ordination

Handel, Messiah, Hallelujah Chorus closing bars

Period (two phrases) in Haydn's Feldpartita.

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

05. TRG Banks - Boy Meets Girl

08. TRG Banks - Interlude

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

09. TRG Banks - Conference

02. TRG Banks - The Rebelution

12. TRG Banks - Sunset

Symphony No. 5, first movement, bars 195-227

10. TRG Banks - Easter

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

14. TRG Banks - Into Canada

11. TRG Banks - Stop The Merry-Go-Round

13. TRG Banks - Goodbye Josh

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.